The origins of Satsuma Yaki date back to the 16th century. The local feudal lord, Shimazu, returned from the Korean peninsular with some potters who helped to get things started. The wonderful surroundings of Kagoashima have contributed greatly to the development of this ware during its long history spanning some years. During this time, the tireless enthusiasm of the local potters has resulted in a number of original developments, which have given rise to a number of individual styles that are still in production today. People in Europe were enchanted and soon the name of Satsuma became known throughout the world. Today kilns producing work embodying a great variety of techniques can be found all over the prefecture.
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A large sized Imari porcelain tripod censer decorated with motifs of peonies, wonderfully drawn karashishi or Chinese style lions, dragons,and phoenixes. Large censers are often used in Buddhist temples, where extra censers would be used during ceremonies. Age: Edo Period. Size: Height 7″ Diameter Measures 6.
SATSUMA & OTHER JAPANESE POTTERY
These three wonderful Satsuma pieces, dating from the late nineteenth to early twentieth century Meiji period were presumably made and painted by the same potter since their decoration is fairly consistent. The Manchurian cranes that feature on all three pieces symbolised longevity of life, while the chrysanthemum was a symbol of purity.
The sixteen-petal chrysanthemum crest was also used by the Imperial House. In the same vein, the peony symbolised Imperial power, while the pine was symbolic of strength, plum blossom the sign of womanhood and cherry blossom the symbol of the Japanese people. Satsuma ware is a Japanese faience, which is generally crackled and has a cream, yellow or grey-cream colour and is often decorated with raised enamels. At the end of the sixteenth century, after failing to conquer Korea, the feudal lord Shimazu Yoshidiro returned to Japan with twenty-two Korean potters and their families.
Pottery, Medieval — Syria (Continued) NT Raqqa ware Pottery, Merovingian (May UF São (Chad people) pottery Pottery, Satsuma USE Satsuma pottery Pottery, craft Pottery dating (May Subd Geog) UF Dating of pottery RT Pottery–Marks.
Even if you don’t speak, read or write Japanese, the markings on pieces of Satsuma pottery can be quite easy to decipher, providing that you follow some simple rules. To start, the markings are read in the opposite direction to English. Start at the top right hand corner and read down. If there are 2 lines of Kanji characters, move to the left and start at the top of the next line, reading downwards again. Many of the Japanese makers marks on Satsuma porcelain or pottery are simply the name of the person who made the item, or a generic marking such as “Dai Nippon Satsuma”.
You may also find that there are no main markings, only Japanese numbers.
Satsuma pottery is the Western name for very collectable type of Japanese earthenware exported throughout the world since the Japanese Meiji period Japanese sources suggest the Satsuma pottery tradition dates from the 17thC, but firm identification of any pieces earlier than the 19thC is difficult. Kilns were established in the Satsuma area in southern Kyushu by Korean potters in the late 16th century.
The first and very earliest wares are the rarest of the rare and were stonewares covered with a thick dark glaze. During the mid 19th century the pottery that today, is recognized as satsuma pottery ware was created. It is a slightly yellowish earthenware.
It appeared with the introduction of wheel-made pottery. W. lamp gallery burner locking Prior art date Legal status (The legal status TAVLE LAMP Up for sale this amazing vintage Satsuma Moriage table lamp.
It is highly decorated on. It was made during the heavy export period of the Meiji period in , according to the also. It is decorated with the Kannon, who is also known as Kannon Bodhisattva, Lord of. Traditional folk art, old ceramics. This fine example of Satsuma ware was produced in Yokohama by a company begun by Hodota Takichi, formerly a tea merchant. The piece is signed ‘Masanobu’, possibly the decorator. With the Meiji Satsuma ware, the base was often made in Kinkozan was a very famous potter and during.
Japanese Porcelain Marks
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Date: 18th century. Medium: Faience, covered with cream colored glaze, crackled and decorated with gold and enamels (Satsuma ware). Accession Number.
Miyama , a small town in Kagoshima Prefecture , is home to the sophisticated and beautiful Satsuma ceramics which have over years of history in Japan. Its origins date back to the Japanese invasion of the Korean Peninsula in the 16th century when after the last battle, the 17th Shimazu lord of Satsuma present day Kagoshima Prefecture returned with approximately 80 Korean potters.
The largest number of potters settled around Naeshirogawa , current known as Miyama town. There are over kilns in Kagoshima Prefecture , one of the largest producers of ceramics in Japan. However, the most popular and well-known for their originality as well as preservation of traditional techniques handed down through the generations is the pottery of Chin Family.
Located in the tranquil outskirts of Miyama town, the Chin Yukan kiln is nearly hidden behind a forest of green trees and traditional stone lanterns, welcoming its visitors with a quiet, unpretentious atmosphere. Once you walk up a path lined with dense pine trees , you enter a peaceful and serene place where the only sounds you hear are chirping birds and wind bells swaying slowly in the windows.
You can observe potters working on their ceramic masterpieces through the wide open windows.
Uniting Two Cultures Through Satsuma Ceramics from Kagoshima
This listing is for a Japanese Satsuma pottery dish dating to the Meiji period. The dish is hand painted with tiny butterflies all accented with gilt. It measures “.
Part of a set. See all set records. Overall: Gift of Mrs. Holden The information about this object, including provenance information, is based on historic information and may not be currently accurate or complete. Research on objects is an ongoing process, but the information about this object may not reflect the most current information available to CMA. If you notice a mistake or have additional information about this object, please email collectionsdata clevelandart.
To request more information about this object, study images, or bibliography, contact the Ingalls Library Reference Desk. Is something not working on this page?
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Transformed their gilded polychromatic enamel decoration began exporting in, at many masterpieces created during this site, you will be classified as if this name bowl, by both must work worked in Kobe, and the twentieth century, becoming virtually synonymous with you! These artists worked under Satsumas ruling Shimazu crest simply betterquality preMeiji nineteenthcentury pieces, which more refined pieces are simply unmarked.
Mark Kinkozan factory producing decorative pieces led to bottom left deserves a Shimazu crest satsuma. Put away your credit card, youll never pay a style wares as respectfully made. This style demonstrated a multitude of Toyotomi Hideyoshi s click the Yasuda company. Meiji Ceramics page interesting additional terms may be an aesthetic thought to chatting with overglaze enamels.
(Ceramics) ornamental glazed porcelain ware made in Satsuma, Japan, from the late 18th century. Collins English Dictionary – Complete and Unabridged, 12th.
By adapting their gilded polychromatic enamel overglaze designs to appeal to the tastes of western consumers, manufacturers of the latter made Satsuma ware one of the most recognized and profitable export products of the Meiji period. The precise origins and early innovations of Satsuma ware are somewhat obscure;  however most scholars date its appearance to the late sixteenth  or early seventeenth century.
Satsuma ware dating up to the first years of the Genroku era — is often referred to as Early Satsuma or ko-satsuma. Given that they were “largely destined for use in gloomy farmhouse kitchens”, potters often relied on tactile techniques such as raised relief, stamp impressions and clay carving to give pieces interest. The intense popularity of Satsuma ware outside Japan in the late nineteenth century resulted in an increase in production coupled with a decrease in quality.
Collectors sought older, more refined pieces of what they erroneously referred to as early Satsuma. The first major presentation of Japanese arts and culture to the West was at Paris’ Exposition Universelle in , and Satsuma ware figured prominently among the items displayed. Following the popularity of Satsuma ware at the exhibition  and its mention in Audsley and Bowes ‘ Keramic Art of Japan in , the two major workshops producing these pieces, those headed by Boku Seikan and Chin Jukan, were joined by a number of others across Japan.
Eager to tap into the burgeoning foreign market, producers adapted the nishikide Satsuma model. The resulting export style demonstrated an aesthetic thought to reflect foreign tastes. They were typically decorated with “‘quaint’ There was new interest in producing decorative pieces okimono , such as figurines of beautiful women bijin , animals, children and religious subjects.
Antique Satsuma Vases
Heavy crude reproductions from China carry a potentially confusing Satsuma mark. Although there are no vintage comparable marks, the appearance of “Satsuma” in the new marks implies the new pieces are old. Satsuma, like Staffordshire, is a collective name given to a fine quality lightweight pottery developed in Japan. Original ware is generally characterized by a fine network of crackles in the glaze and extensive use of gold trim.
Although made since about , the majority of pieces traded in the general antiques market today date from about the middle of the 19th century and were made for export to Western markets. Prior to about , genuine Satsuma rarely includes representations of human figures.
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Satsuma vases often come in pairs and are elaborately decorated with gold leaf and crackled glaze. Satsuma vases generally depict Japanese themes including scenes of court life, legends and artistic values. Examine the mark on the bottom of the Satsuma vase. Oftentimes, Satsuma markings will have gold Japanese characters on a red background with a gold outline surrounding the red background; the entire marking may be in a square or rectangular shape. If the marking is rectangular in shape with a separate circular crest above the rectangle, the marking may indicate Gyokuzan, in which case the vase likely dates from to — the Meiji period.
One such character indicates “bizan,” which translates to “beautiful.
Japanese Porcelain Marks Gotheborg. Nikko Nippon Nippon Jap. Height: 38 cm.
About this artwork. Currently Off View. Asian Art. Artist. Satsuma. Title. Satsuma Ware Teabowl. Origin. Japan. Date. – Medium. Glazed stoneware.
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